12.09.2009
ishihara test
corel draw
oh shit! sekali lagi meleset jauh. warna meleset ukurannya juga. sorry bakal saya benerin lagi. terimakasih
my logo is move !
corel rave
baru belajar coba2 bkin sedikit animasi dengan software seadanya dikomputer, iseng2 dimulai di logo type baru comodorepaper. dan sengaja upload jadi gif biar gampang naruh di blognya, kalo format video males nunggunya.
put it to your blog, its free
12.07.2009
ROUNDWOUND
corel draw
just trying make some work with victorian style for my imaginary string gauge. xoxo
11.27.2009
feel bad enough?
photosop
there's no bad thing when you feel its good for sure. wakakakaka
FOUR YEAR STRONG X COMODOREPAPER
white linen paper, water colour, little photosop touch
I LOVE THIS BAND VERY MUCH
i dont know why, when i hear their sound so much like a behaviour thing i ever hear.
and i just can do this.
10.17.2009
be brave to prove your work!
pro models!
hehehe Gambarnya jd ke stretch gara2 monitor saya yang kampungan resolusi wide buruk. ya gitu lah.
click image below the see the contest
10.16.2009
over the rainbow
its a joke for my typhography class, like an somewhere over the rainbow lyrics. hehehe
MOSKIMOS
soon i will make a myspace page, and upload the song.
please wait
10.12.2009
i beg for apologize
Im so sory if i was interfering your life. Just try to care, as your friend. Give some advice. But if you feel im too interfering your life, i will stop it. thank you.
10.04.2009
DKV class task (3)
paper, drawing pen, water colour & pencil colour mixed finished
2b pencil, watercolour finished
DKV class task (2)
paper, pencil colour finished
2b pencil in paper
DKV class task (1)
paper, 2b pencil, colour pencil finished
paper, 2b pencil
did am i?
i said want to quit from my band. hoah
its very hard decission.
i lost her character
i know everybody need a change but you should keep your character.
being a nice person. :p
9.06.2009
a new perspective
Stop there and let me correct it
I wanna live a life from a new perspective
You come along because I love your face
And I'll admire your expensive taste
And who cares divine intervention
I wanna be praised from a new perspective
But leaving now would be a good idea
So catch me up on getting out of here
8.30.2009
WHAT I SAID STILL LIKE DIAMOND
8.24.2009
EVEN ITS KILL ME
I've got a lot of things to do tonight
I'm so sick of making lists of things I'll never finish
I've lived here for the last twelve years
Since early 1995 all my shit has been in boxes
But if I had a little more time to kill
I'd settle every little stupid thing,
Yeah, you'd think that I would
But I'm too tired to go to sleep tonight
And I'm too weak to follow dreams tonight
For the first time in a long time I can say that I want to try
To get better and overcome each moment
In my own way...
I wonder if I'll ever lose my mind
I tried hard for a while but then I kind of gave up
Winter is a killer when the sun goes down
"I'm really not as stubborn as I seem"
Said the knuckle to the concrete
But I'm too tired to go to sleep tonight
And I'm too weak to follow dreams tonight
For the first time in a long time I can say that I want to try
To get better and overcome each moment
In my own way...
I'm not saying that I've given up
I'm just trying not to think as much I used to
'Cause never is lonely little messed up word
Maybe I'll get it right someday
For the first time in a long time
I can say that I want to try
I feel helpless for the most part, but I'm learning to open my eyes
And the sad truth of the matter is I'll never get over it,
But I'm gonna try
To get better and overcome each moment
In my own way...
I so want to get back on track
And I'll do whatever it takes
Even if it kills me...
GRAND THEFT AUTUMN
Where is your boy tonight? I hope he is a gentleman
Maybe he won't find out what I know
You were the last good thing about this part of town
When I wake up
I'm willing to take my chances on the hope i forget that you hate him more than you notice I wrote this for you.
You need him. I could be him
I could be an accident but I'm still trying.
That's more than I can say for him.
Where is your boy tonight? I hope he is a gentleman.
Maybe he won't find out what I know
You were the last good thing about this part of town.
Someday I'll appreciate in value
Get off my ass and call you
But for the meantime I'll sport my brand new fashion
of waking up with my pants off at 4:00 in the afternoon.
You need him, I could be him
I could be an accicent but I'm still trying.
That's more than I can say for him.
Where is your boy tonight? I hope he is a gentleman.
Maybe he won't find out what I know
You were the last good thing about this part of town
Where is your boy tonight? I hope he is a gentleman
Maybe he won't find out what I know, you were the last good thing about this part of time
Maybe he won't find out what I know, you were the last good thing about this part of town
7.08.2009
2nd colaboration
bersama teman saya mandro (bass-vocal from simon domora).
artwork ini bertema rasa puas. seorang sedang melakukan aktivitas yang sangat bisa memuaskan dirinya. seperti menggaruk ketiak yang gatel. BLOODYHELL! hahahha ya seperti itulah dan sedangkal itulah tema yang kami ambil.
sketching by mandro
coloring by rezamfck
dan artwork yang kedua ini sengaja dibuat khusu untuk bandnya mandro (simon domora).
berlatar tema 2 orang saudara yang sedang bercakap polos, menjalani hidup tanpa berfikir sesuatu yang berat sampai melibatkan banyak orang terlebih menggangu dirinya sendiri.
dengan model kakak adik dan seekor buaya ganas yang siap menerkam dari belakang.
hahahaha lagi lagi sedangkal itu kami menjelaskannya. NICE!
sketching by mandro
coloring by rezamfck
6.29.2009
comodorepaper feat nyo' v hellsgrad
ini project kolaborasi ilustrasi pertama saya bersama nyo' van hellsgrad.
seorang artist dan teman saya.
ilustrasi ini berjudul "TEROBRAK ABRIK SANG NDAS SPEAKER".
kenapa judulnya itu? karena kita mengalami kejadian yang tidak begitu mengenakan.
seorang menuduh bahkan mengajak bertengkar hanya karena sebuah berita yang belum tentu kejelasannya. dan karya ilustrasi ini kami submit ke pameran BOX OF IDEA : kotak hitam pada tanggal 27-28juni @ bigbox complex.
ide dan sketch by nyo' van hellsgrad
coloring by rezamfck
media digital photosop
captured by putrimacan
6.12.2009
belajar tracing yukk!!!
ah kuliah semester 2 telah berakhir.
dengan perjalan yang panjang dan sangat melelahkan.
semua itu terbayarkan jika melihat transkrip nilai bahwa nilai diatas C yang berarti lulus.
hahahahha
tapi apa?
kejadian 2 tugas terakhir membuat saya cukup down, bahkan saya agak sedikit tidak enak badan.
"kamu itu tau hukumannya apa? kamu bisa di DO(drop out)!" what? fuck!
"kamu itu sudah crime! mengcopy karya orang!"
hah? saya kan copy karya saya sendiri?
dimana crimenya?
dan 2 org teman saya sdh mendapatkan ijin dari saya untuk mengcopy karya tersebut.
terus masalahnya dimananya pak? jawab dong pak?
apa saya yang terlalu menganggap enteng? atau bapak yang terlalu melebih2lebihkan karena sedang capek dengan urusan pribadi?
ckckckckckck
benar2 pertanyaan itu mengganggu pikiran saya.
semoga saja yang membaca ini bisa memberi jawaban.
damn!
akhrinya saya berfikir sedikit tenang dan menganggagp saya adalah seorang yang sangat bijak.
yasudahlah memang mungkin ini lifeline!
kalau memang sudah waktunya gak bisa dihindarin meskipun mau usaha kyk apa jg.
semoga ada sebuah pelajaran yang berarti disana. hehehe -_-
5.31.2009
some trip
2 minggu lagi jadwal perkuliahan saya berakhir dan masuklah masa2 liburan yang menyenangkan. hhehehehe saya dan beberapa teman baru saya (bukan orang baru, tapi akhir2 ini saya bersama mereka) sudah merencanakan sebuah perjalan yang terlihat menyenangkan dan penuh tawa canda. :p
5.30.2009
reason
"my college schedule"
wont get up from my bed
too much ringing on my phone
need some stress suppressor
ahhhaa
4.09.2009
typefaces #014
just click image above to get this typefaces
typefaces #013
just click image above to get this typefaces
3.29.2009
hellogoodbye - ukulele EP
(just click the image to get "The Thoughts That Give Me The Creeps" song for free)
this is the 7th EP from a big name of powerpop band... "HELLOGOODBYE"
dalam album ini hellogoodbye benar2 eksplor dengan alat music ukulele. dan apa yang terjadi? awesome...
include 3 tracks: "The Thoughts That Give Me The Creeps", "Betrayed By Bones", "Everyday" (buddy holly cover).
slept is amazing!
terlihat tenang, tentram, namun memiliki banyak kegiatan dalam mimpi dan fantasi.
sehingga menginspirasi saya untuk membuat ini.
media: hvs + pencil HB - 6b + pencil color
(maaf kualitas gambar buruk, dikarenakan komputer saya lg bobrok!)
3.16.2009
handwriting typefaces
"walaupun biasa saja tapi saya berani" kata poster2 yang lagi bergeming dikampus saya...
(click pada gambar untuk mengUNDUH font ini)
slahkan download dan pakai dengan bijak dengan tidak mengaku2i typefaces ini yaa. hhehe
3.10.2009
im on high level kind of stress !
HAHAHAHAHAH
2.14.2009
the section quartet
Writing their own visionary arrangements of their favorite rock songs, ranging from classics by Led Zeppelin to Radiohead, and delivering high-powered live shows, The Section Quartet confirms that you don't need a guitar to rock. Following their independently released 2004 and 2006 album and EP, respectively, TSQ takes it to a new level with Summer 2007's FUZZBOX, their captivating debut album for Decca Records.
With FUZZBOX violinists Eric Gorfain and Daphne Chen, violist Leah Katz and cellist Richard Dodd have strikingly re-imagined tracks by Radiohead, the Strokes, Queens of the Stone Age, Led Zeppelin, David Bowie, The Postal Service, Failure, Soundgarden, Yeah Yeah Yeahs and Muse.
check them out here
jack's mannequin
andrew mcmahon is probably the first person to take me wish i had taken piano lessons when i was kid. Besides that he has an amazing story and is seriously one of the nicest dudes in the music scene, i could listen to his upbeatpiano-pounding all day long. In fact, i have been. i dare you to listen to "the glass passenger" without repeatedly singing. "you hold me dooooownn.." for the rest of the day. hahaha
check them out here
dashboard confessional - even now !
Even now I can smell your clothes, freshly from the wash, still hot from the dryer.
Even now I can smell your skin, as I wrap you in a towel, lay you on the bed, and try to
love you.
Even now i can feel your arms, I can feel your breast, I can hear your songs.
And I always can find you again.
Even now I can feel your hand, gently over mine, with almost....no wait at all.
Even now I can feel your eyes, watch me as i strum, much to late at night.
Even now I can see your smile, and i can hear ya hum, I can hear ya sing.
And I always can find you again
And I always can find you again.
get them song here
2.10.2009
Ray LaMontagne
With his remarkable, rough hewn vocals and evocative, finely etched songs, Ray LaMontagne has, in but a few short years, become the rare artist of whom the world waits with to see what each new work will reveal. Now, on his much anticipated third album, the Maine-based singer and songwriter has crafted a warm and welcoming record which unveils heretofore untapped depths of ingenuity and optimism. Touching upon a range of styles and musical setting – spanning pastoral folk, railroad blues, front porch country, and plangent balladry – “GOSSIP IN THE GRAIN” proves to be LaMontagne’s most creative and emotionally expansive collection to date.
LaMontagne’s 2004 debut, “TROUBLE,” became one of that year’s most acclaimed debuts, spawning an instant classic single in the album’s title track. He returned two years later with the stunning “TILL THE SUN TURNS BLACK,” a deeply personal work haunted by a complex and compelling melancholy. The album proved both another popular and critical success, debuting in the top 30 on the Billboard 200 and further marking LaMontagne as a major American artist.
After spending 18 long months on the road, LaMontagne returned to Maine and decompressed. He listened to little music, choosing to focus his energies on restoring his new house, once owned by the late Norman Mailer. In early 2008, he began plotting out his next record and before winter’s end, was ready to return to work. Where LaMontagne’s previous records had been recorded closer to home, this time he opted to cross the Atlantic in order to work alongside his longtime collaborator, producer Ethan Johns at Peter Gabriel’s Real World Studios in Box, Wiltshire.
“Ethan came to me last time,” LaMontagne says. “I was living in Woodstock and he traveled out there so I could be close to home. He recently moved back to England and he lives about 10 minutes from the studio, so it was only fair that I go to him this time.”
LaMontagne’s two previous albums were largely solo affairs, with Johns serving as multi-tasking instrumentalist. “GOSSIP IN THE GRAIN” sees him joined by members of his touring band, bassist Jennifer Condos and guitarist Eric Heywood (Johns largely handles drum duties, as touring drummer Jay Bellerose was on the road with Robert Plant & Alison Krauss at the time of the recording). Along with his band members, LaMontagne is also joined on two tracks – “A Falling Through” and “I Still Care For You” – by singer/songwriter Leona Naess, a friend and artist whose work he has long admired.
“Ethan and I work very well together, one-on-one. I don’t know what it is that’s going on there, but we can sort of read each other’s minds a little bit, so it’s really easy for us to work together alone. It’s uncluttered. But we’ve done that. Touring with Jen and Eric has been amazing. They are both incredible people and musicians. I just love the sound we create as a band. It felt like a natural evolution to record this album together.
The sessions concluded in early spring with about 14 tracks recorded, but upon reflection, LaMontagne decided to cull the collection by half. Left with less than a full album’s worth of material, he reached into his bag of songs and pulled out three more pieces – “Sarah,” “Meg White,” and the autumnal title track – which ultimately went on to define the record’s liberated aesthetic and attitude.
While “Winter Birds” and “Gossip In The Grain” retain the sparse atmosphere of his previous record, the album is through and through a shaggier, more loose-limbed collection. Songs like “Henry Nearly Killed Me” and “Hey Me, Hey Mama” have a rambunctious energy and high-spiritedness that show a hitherto undisclosed side of LaMontagne’s talent. “Meg White,” a rollicking paean to Jack White’s drum-beating older sister, lets slip a mischievous wit that the songwriter has previously been loath to reveal on record.
“Well, she does rock,” LaMontagne points out. “She deserves a song.”
Throughout the record there are recurrent themes of reconnection, of relationships torn down and then reborn, presented with the most sanguine outlook of LaMontagne’s career. While some songs, such as the tender “Sarah,” feel intensely confessional, others appear to reveal truth through carefully drawn characterizations. As ever, LaMontagne is reticent about delving into the emotional source of his material, preferring to let the work speak for itself.
“I just don’t like to talk about that stuff,” he admits. “It seems unnecessary to deconstruct it. It’s like seeing a magician or a juggler – you don’t really want to know how they do it. You just want to enjoy it for what it is."
Touring “TILL THE SUN TURNS BLACK” was a difficult proposition for LaMontagne, forcing him to revisit that album’s dark places on a near-nightly basis. The more relaxed nature of “GOSSIP IN THE GRAIN” – along with a tightly bonded touring family – makes hitting the road something he can now look forward to.
“A lot of things have changed in the past couple of years,” he says. “My whole touring life has stabilized. It wasn’t like that in the beginning, it was brutal. But now I have a really first class team out there. Everybody works well with each other, everybody communicates, we’re all friends. I really look forward to seeing them because I get home, up here in the mountains, and I’m very cut off from everything. I have no social life here – which is my own choosing, I like that – but it’s nice to look forward to touring because all your friends are there.”
Freewheeling, confident, and utterly idiosyncratic, “GOSSIP IN THE GRAIN” confirms Ray LaMontagne as an artist and a craftsman without limits, a songwriter who is able to work his melodic gifts and distinctive lyricism through any of the myriad musical traditions which catches his fancy.
“I feel like I kinda got tagged immediately as some kind of blue-eyed soul,” LaMontagne says, “and that’s really not me. Then, when the second record came out, it was a little disconcerting for some people, because it certainly wasn’t a soul record by any means. “To be honest,” he continues, “I feel like I can do anything. Not necessarily very well, but I just love music. I’m not saying that in an egotistical way, like ‘I can do anything.’ I just like to follow it. Wherever the song leads, I just follow it.”
check them out here
DEPAPEPE
Depapepe is the transliteration of the Japanese name (デパペペ) for the acoustic guitar musical duo of Takuya Miura (born April 5th, 1983) and Yoshinari Takuoka (born on July 15th, 1977). The duo formed in 2002.
They released three indies before their major debut, which collectively reached sales figures of about 100,000.
They made their major debut in 2005 with their album “Let’s Go!!!”, and ranked within the top 10 of Oricon’s Instrumental Artist Debut Chart.
The band’s name was cobbled together by combining the Japanese word for overbite, ‘deppa’, because of Miura’s overbite, and the name of Takuoka’s previous band ‘DERUPEPE’.
Contrary to a popular rumor circulating among their fans, the two guitarists are not brothers. They are signed onto Sony Music Japan.
check their tunes at here